Denise Milani Majorwager

Who else knows this is my peculiar prejudice goddaughter (TT), who never went to see her dance performances because, despite the respect and appreciation for the effort and aesthetic merit in that art may be, the dance, like opera, does not permeate my taste or my sensibility. Hence I have no particular hurry to see "Black Swan " and certainly would have done it before have known that the theme of classical ballet was just an excuse to reveal the huge mental health problems that may incur a person born exacerbated by the perfectionist obsession. As for the

or suspense thriller, one anticipates the revelations if-by chance and like this writer-was in its infancy, the segment "Lucy eat to stay" of that ancient horror and dementia called "Asylum" (also known as "House of crazies", 1972), but this takes the fun but the increases will be seen how the cinematic approach. Instead, they were not to my liking certain special effects grotesque body deformations, much like something alien and intrusive, that in a crowded room can easily induce laughter and thereby break the concentration. Despite its beauty, the tragic final apotheosis reminded me of the public reaction to the first end of "The Enchanted Lake" by Les Luthiers. I would have preferred something darker instead of blinding white screen, but this does not undermine its status as masterpiece conducive to all kinds of symbolic analysis, psychological, familial, professional and erotic .